muscle relaxant
as i wrote in yesterday’s entry: i finished the first draft of a new screenplay.
six weeks ago, i had zero pages. by last night, i had 100.
they are not, by any stretch of the imagination, great pages. they’re not pages filled with wonder nor are they something i’d dare show anyone else at this point. they’re raw and unpolished, chaotic and occasionally hollow. the story has enormous, gaping holes that need filling, questions that still need answering and, alas, a character or two who must be eliminated by the time the second draft is done.
what i have, though, is a solid framework. a structure. a skeleton onto which i can now add muscle and meat, and into which i can infuse breath and heart. the first draft is always the hardest because you have to build it from nothing; subsequent drafts are about shoring it up and making the whole thing better and better with each pass.
and, believe me, there will be many passes, and a LOT of rewriting and revising, to come.
this entire exercise has been immensely valuable. it forced me to use muscles that had been dormant for a year. i’d worried that they’d started to atrophy, and i desperately needed incentive to get them warmed up and limber again. to get the blood flowing through those creative arteries and to prove to myself that i could do it.
so, i asked my friend jane to set some deadlines. accountability is, for me, a wonderful motivator.
as i mentioned in a previous entry, it was slow and agonizing to start. as with the outline, i started to doubt myself. i started to wonder if i’d made a horrible mistake by taking on this self-imposed challenge and if i’d only wind up disappointing myself in the end if i was somehow unable (or unwilling) to finish it. had i purposely set myself up to fail? what was i doing? what was the point in slogging through the process simply for the sake of meeting a deadline, if i didn’t like what i was writing?
then there was that little trajectory shift a couple of weeks ago, when i decided to take a chance, start over and just charge ahead, following the NaNoWriMo “NO REVISIONS!” philosophy. i took the so-so outline i had, changed it and began back at page one. and, in doing so, i once again wondered if i was subconsciously, or even consciously, engaging in self-sabotage. could i do it?
only one way to find out: to try.
each day, i’d get started and, inevitably, within an hour begin to hem and haw and pause about whatever i was writing. every time i did, i’d immediately give myself a kick in the pants and remind myself that i couldn’t worry about whether what i was churning out was actually any good, i just needed to write whatever i felt like writing and keep going, no matter what. that made it much easier to create drivel.
it was daunting – writing an entire screenplay in 13 days. but writing for the sake of expediency and volume instead of shooting for perfection with every syllable was also incredibly freeing... especially for someone like me, who’s much more accustomed to overthinking every detail before moving forward even an inch.
in the end, it was a bit like puking out a story more than properly telling one, and it was tiring. but, within all that crappy writing, every now and again i’d find myself coming up with a really clever line or an out-of-the-blue idea i wound up loving. little gems in a sea of mediocrity. (or, at times, a swamp of serious suckage.)
when i was finally done, i not only finished with a sense of accomplishment, i typed the words “FADE OUT” feeling considerably looser.
i felt like i’d breathed deeply and stretched slowly and become more flexible, and that this exercise had not only produced 100 pages of text, but had served as an excellent warm-up for whatever may come next.








